The Somme: An Eyewitness History
Published by the Folio Society
Bound in 2007

Full leather binding in black goatskin with multiple inlays in white
and red leather, ‘debossing’ to boards and hand dyed panels.

Goethe Poems
The Gregynog Press, 2000

Bound in 2008 Full leather binding in the French style in chocolate goatskin.
Top edge gilded, blind tooling and finishing in deep yellow gold to front cover and leather doublures.

But Flashes of Wit
The Foundling Press
Bound in 2007

Full leather binding in grey goatskin. Rounded only, rough edge
gilding and tooling with Moon gold, mono-printed doublures.

A Book of Quatrains
The Cedar Press
Bound in 2008

Bound in the French Style in full turquoise goatskin.
Blind tooling to boards and paper doublures, graphite top edge.

• Worked in various capacities in the arts sector since 1999
• Graduated from Goldsmiths College, London with an MA in History of Art (20th Century) in 2001
• Studied bookbinding at City Lit with Sue Doggett, Kathy Abbott and Tracey Rowledge and at Studio 5 with Mark Cockram
• Graduate Certificate in Bookbinding and Book Restoration at London College of Communication, London in 2006
• The Bookbinding Competition, 2007: Highly Commended prize
• Elected Licentiate member of DB in February 2009

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